Wide gallery view of several small paintings spaced across a wall, each lit by individual spotlights.
Estimated Read Time:
2 minutes

Student Gallery Spotlight: Morningtide

Dreamlike paintings shaped by shoreline light, cabin memories, and the quiet warmth of winter — Leah Gertzen, on view Jan 21–28

Estimated Read Time:
2 minutes

Morningtide washes in, half between the shore and woods. Featuring a collection of paintings, Leah Gertzen reflects on the translucence of life through stories—inviting viewers to find repose within the art: a misted morning, the lingering smoke on a wool sweater, the boot under the cabin floor, an unwoven braid, or the darkened, snow-filled sky.

For Gertzen, Morningtide began as an echo of her final Honours work, Sweetest Con, “an installation of a cabin and a forest.” While creating this new body of work, she found herself returning to the emotional atmosphere of that earlier installation—only this time through painting. “I found it was a reflection on certain things I’d have liked to say but didn’t know how to,” she writes, “and the creation of my work became a meditation on life and nature.

The paintings in Morningtide hold a sense of being immersed—inside weather, inside memory, inside a place you can’t fully name but still recognize. Gertzen describes the work as being inspired by “memories of being within art,” and “the feeling of being alive and within nature, such as the wind or the sun on the river in the morning.” A central presence throughout the exhibition is her Gramma, Helen, who “taught me to love the earth and to create my work as if it were alive.” That sensibility—tender, attentive, animate—threads through the exhibition’s landscapes and quiet objects.

Carrying forward what she learned through installation-making, Gertzen approaches painting with an awareness of space and shelter: “the landscapes I have created within Morningtide echo the same feelings I was trying to convey within my installation work”—“feelings of warmth and peace, magic, nostalgia,” and “a space for the viewer to explore but also feel at home in.” The works offer a kind of soft architecture—places to enter, wander, and pause—where narrative flickers at the edges of the visible.

That invitation to rest is not only formal, but emotional. Gertzen hopes viewers leave with “an inner peace,” or “perhaps something warm that reminds them of someone they love or loved,” carrying that feeling “throughout the gallery and their day.Morningtide doesn’t rush you toward meaning; instead, it lets meaning gather slowly—through atmosphere, through attention, through the tenderness of ordinary details made luminous.

Morningtide

Leah Gertzen

January 21–28, 2026
Open Monday–Friday, 9:00 AM–4:30 PM
School of Art Student Gallery
158 Taché Arts Complex
umanitoba.ca/art/student-gallery

Leah Gertzen sits in a warmly lit studio, holding a small artwork, with her landscape paintings displayed on the wall behind her.
Angled view down the gallery showing the fabric-strip installation along one wall and a small framed work spotlighted on the far wall.
Close-up detail of a warm-toned painting surface filled with layered leaf shapes and textured brushwork.
Close-up of a small wood panel painting showing a woman’s face in profile with long hair, mounted between two vertical fabric strips.
A visitor stands facing a wide rectangular panel depicting a sparse landscape with trees in warm brown tones on a white gallery wall.
Three small paintings hang among long vertical strips of stained fabric pinned to a white gallery wall under spotlighting.

Gertzen (b. 2001) is an interdisciplinary artist working across painting, installation, textiles, and writing. A graduate of the University of Manitoba (BFA Honours, 2024), she spent the past year as a Mentee in MAWA’s Foundation Mentorship Program, and is currently working toward a second degree in BFA Art History Honours at UM. Fittingly, the exhibition’s sense of story is grounded in writing as much as image. As she continues her Art History studies, she finds her thinking “more in terms of writing and concepts.” Writing, she notes, “has consistently been a part of my practice for years, and I find it is what influences my work most.” She’s drawn to “learning about artists’ intentions behind their work, their lives and what shapes their view on the world,” and describes this as something that “has been steering my studio work since I began my degree.

Whether you attend the opening or stop in during the week, Morningtide offers a quiet, painterly space—one that holds warmth, magic, nostalgia, and the feeling of being briefly, gently at home.

About the Student Gallery

The School of Art Student Gallery presents ever-changing exhibitions throughout the academic year, typically on view for one to two weeks at a time. Exhibitions are organized by School of Art students in conjunction with the Student Art Curatorial Selection Committee, offering students an important opportunity to gain hands-on experience programming, preparing, and mounting exhibitions as part of their developing professional creative practices.

Location: 158 Taché Arts Complex (Taché 2), 150 Dafoe Road, University of Manitoba
Learn more: umanitoba.ca/art/student-gallery